INGA DOROSZ
 
 

Nought Nowhere was Never Reached

2005-2007
Archival pigment inkjet on fine art paper
Dimensions variable

Nought nowhere was never reached is a series of digital prints of asteroid belts. They were created by photographing potatoes in the studio and gently guiding them into orbital randomness on the computer.

The title is from a passage in James Joyce's Ulysses where Leopold Bloom and Stephen spend the evening contemplating scale from the infinity of the universe to the deceiving finiteness of the molecule.

 

 

Were there obverse meditations of involution increasingly less vast?
Of the eons of geological periods recorded in the stratifications of the earth: of the myriad minute entomological organic existences concealed in cavities of the earth, beneath removable stones, in hives and mounds, of microbes, germs, bacteria, bacilli, spermatozoa: of the incalculable trillions of billions of millions of imperceptible molecules contained by cohesion of molecular affinity in a single pinhead: of the universe of human serum constellated with red and white bodies, themselves universes of void space constellated with other bodies, each, in continuity, its universe of divisible component bodies of which each was again divisible in divisions of redivisible component bodies, dividends and divisors ever diminishing without actual division till, if the progress were carried far enough, nought nowhere was never reached.

-James Joyce

 

 
 

Vinyl print installation at YBCA, San Francisco, CA

installation

 

installation

 

Installation view at David Salow Gallery, Los Angeles 2008

potato potato

 

Installation at Kala Art Institute, Berkeley, CA (prints on right side only)

installation

 

Nought Nowhere was Never Reached I

 

Nought Nowhere was Never Reached II

 

Nocturnal Peramulations I

 

Nocturnal Peramulations II